Thursday, August 26, 2010

Ma.

Ma is the Japanese word meaning "space" or "pause". In karate, we use the term maai, which means "distance".

In both cases, these tend to be advanced concepts; both of them subtle but with remarkable results when used well.

In karate, distance is often the key to effectiveness. Too far away and you miss completely; too close and it's more a factor of luck who hits whom first. The practitioner who masters maai will know when to attack and how to defend by simply moving to a disadvantageous spot for their opponent.

In taiko, ma is severely overlooked. Newer players tend to play as many notes as possible when jamming or improvising. Even people who have been playing for a while tend to do it.This isn't inherently bad, it's just...noisy! I know some people have the hands to make it happen, but it eliminates any texture to the music and makes it very one-dimensional.

I've mentioned this in prior posts, but what often distinguishes the masters from the beginners is effective use of ma. Whether it's musically or visually, purposeful space can have such a huge impact!

I believe that most players are afraid of ma. Afraid? Yep. Not as in "running away from", but in vulnerability. If you're pausing from playing, you're going to be more closely watched and/or listened to. Insecurities are much more likely to abound in your head at that time. It's a test of self-confidence and experience, and that's why effective ma is the true sign of a master player.

You don't have to wait to become a master, just try not doing so much and see what it feels like. Then keep er...not doing that. :)

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