During some of the downtime of the
past annual concert, I was talking with our Lighting Designer. He told me about a conversation he had years ago with a bluegrass musician. During a discussion about bluegrass, the
musician said, “it’s not about what you play, it’s about what you don't
play.”
Let’s apply that to you, dear
reader. Instead of thinking about what
you play, how are you defined by what you don’t? How can not doing something make you a better
performer/artist? This post ties in a
lot with my recent post about making your solos stand out, but doesn’t only apply
to solos.
We can take this to a detailed
level and look at specific patterns or notes. In a world where a lot of
people play triplets during their solos, choosing purposefully not to do them
speaks to your style.
Step back a level, and we can look
at the visuals. The moves you don’t do
are only effective when presented against other people that do them a lot. This is contrast, much like with musical
patterns. But even in terms of just what
you do, like only angular or only flowing movements, a style is formed.
Another step back and we can look
at style itself. Never looking serious
during a solo can define you. So can
never being predictable – but that’s a fine line, because if you’re never
predictable, THAT’S predictable!
There’s also compositions, for
those of you who either craft your solos or write whole pieces. Some people never repeat the same pattern or
section twice. Other people might never
do the same solo twice! (That's hard, by the
way…) It doesn’t even have to be about
the music either. A composer might never fail to mention that someone gave them permission to write a piece, or leave out nothing (in other words, too much information!)
And finally, there’s
behavior. If someone is never late to
practice, that defines them. If someone
never has an unkind word to say about someone, that defines them as well.
Of course, the negatives apply as
well, to all of the above examples.
Maybe a player never puts in any space (ma) during a solo, or never
moves their arms away from the drum, or never changes their expression, or
never changes their solo, or never arrives on time, etc. Doing any of these doesn’t automatically make
someone a bad person/player, but it does shape the narrative of who they are.
You can argue whether thought or
deed defines a person more, but sometimes what’s not thought or done has just
as much impact sometimes!
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