But as with most things, it's rarely a black-and-white situation.
I'm not talking about the tension it takes to remain standing, or to keep your head upright. That's a given.
- But what about the tension it takes to keep your arm extended and still? What would taiko look like without those visuals?
- What about the tension generated for the sake of the audience, to make our efforts look even greater? How much does a little exaggeration make for good entertainment?
- Could you push off the ground with your feet to generate power or to move quickly without tension? Without it, how much dynamism are you losing?
- How good of a sound would you make without snapping at the wrist? There's a lot of tension generated there.
- Would you have any sort of a clean strike if you didn't squeeze your fingers at the end of it?
- And would you be able to control the rebound if you didn't catch the bachi after the first hit?
- Try to kiai without tensing the hara. Not going to be much of a kiai, is it?
So, how bad is tension? When is it unwanted, and when is it needed?
You wouldn't want to wear a tool belt with 100 hammers on it, but you'll want one handy when you find a nail that's sticking out. Tension is not the enemy, it is simply a tool. The better you are at knowing when and where you need that tool, the more you might find that you can leave it on the bench...
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